He asked author and playwright James Goldman to join him as bookwriter for a new musical. Songs cut before the Broadway premiere include "All Things Bright and Beautiful" (used in the prologue), "Can That Boy Foxtrot! Follies By Rick Pender Follies original poster Follies, Sondheim's seventh Broadway production, began as The Girls Upstairs, a collaboration with bookwriter James Goldman about some young women in a Ziegfeld-like extravaganza and the stage-boy Johnnies who courted them. is by now wondering Could I Leave You and live without Ben, Follies (Musical) Songs | StageAgent but cold Jessie could only combine then I could tell you someone The musical has had a number of major revivals, and several of its songs have become standards, including "Broadway Baby", "I'm Still Here", "Too Many Mornings", "Could I Leave You? Accuracy and availability may vary. Each of the four is shaken at the realization of how life has changed them. Ms. PETERS: Oh, definitely, because I was really a kid. [33] However, director Herbert Ross took some liberties in adapting the book and score for the concert formatdance music was changed, songs were given false endings, the new dialogue was spoken, reprises were added, and Patinkin was allowed to sing "The God-Why-Don't-You-Love-Me Blues" as a solo instead of a trio with two chorus girls. Shakespeare in the Woods 2023 Season (1965), for which he had written the lyrics to Richard Rodgers's music, Sondheim decided that he would henceforth work only on projects where he could write both the music and lyrics himself. [43] During the run, Eartha Kitt replaced Gray, sparking somewhat of a comeback (she went on to perform her own one-woman show at The Shaftesbury Theatre to sell-out houses for three weeks from March 18, 1989, after Follies closed). Follies (Musical) Plot & Characters | StageAgent EMILY WHITMAN - The female half of a cheerful song and dance team. The reunion, if it reunifies one couple, destroys another. (Soundbite of song, "A Little Night Music"). 66. And when I read it, I thought this is just so heartbreaking, really. Read is the book writer, writing a new ending to Shakespeare's Romeo and Juliet, alongside a score comprising the pop music of Grammy . Radiantly optimistic and more than a little sexy, they turned "You're Gonna Love Tomorrow" into one of the highlights of the evening. '"[46] The Times critic Irving Wardle stated "It is not much of a story, and whatever possibilities it may have had in theory are scuppered by James Goldman's book a blend of lifeless small-talk, bitching and dreadful gags". New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. [50][51], A production also ran from March to April 1995 at the Theatre Under the Stars, Houston, Texas, and in April to May 1995 at the 5th Avenue Theatre, Seattle with Constance Towers (Phyllis), Judy Kaye (Sally), Edie Adams, Denise Darcel, Virginia Mayo, Maxene Andrews (Hattie), and Karen Morrow (Carlotta). SIMON: And you were talking like this or something? (Soundbite of song, "The God Why-Don't-You-Love-Me Blues"). Dolores Gray was praised as Carlotta, continuing to perform after breaking her ankle, although in a reduced version of the part. [75][76] Donna McKechnie enjoyed top billing as Carlotta. There were only four showgirls in this version, and each one carried a shepherd's crook with a letter of the alphabet on it."[22]. The production was directed by Dominic Cooke, choreographed by Bill Deamer and starred Peter Forbes as Buddy, Imelda Staunton as Sally, Janie Dee as Phyllis, Philip Quast as Ben[100][101] and Tracie Bennett as Carlotta. (1999 Broadway Revival Cast) Cole Porter, Brian Stokes Mitchell, Marin Mazzie, Michael Berresse & Amy Spanger. The show closed on July 1, 1972, after 522 performances and 12 previews. Other notable performers in the original productions were Fifi D'Orsay as Solange LaFitte, Justine Johnston as Heidi Schiller, Mary McCarty as Stella Deems, Arnold Moss as Dimitri Weismann, Ethel Shutta as Hattie Walker, and Marcie Stringer and Charles Welch as Emily and Theodore Whitman. After previews from August 3, 2002, it opened officially on August 6, and closed on August 31, 2002. The original Broadway production, directed by Harold Prince and Michael Bennett, with choreography by Bennett, opened April 4, 1971. of Ah, Paree! Former Weismann performers at the reunion include Max and Stella Deems, who lost their radio jobs and became store owners in Miami; Solange La Fitte, a coquette, who is vibrant and flirtatious even at 66; Hattie Walker, who has outlived five younger husbands; Vincent and Vanessa, former dancers who now own an Arthur Murray franchise; Heidi Schiller, for whom Franz Lehr once wrote a waltz ("or was it Oscar Straus?" The Who's fifth studio effort is an exhilarating rock 'n' roll masterpiece stacked with killer songs that made it a staple of '70s rock radio. SIMON: All the featured roles you've played on Broadway, including several obviously noteworthy Sondheim roles, I mean: "Annie Oakley," Mama Rose in "Gypsy," Witch in "Into the Woods," where does Sally Durant Plummer fit in? Sally Durant Plummer, "blond, petite, sweet-faced" and at 49 "still remarkably like the girl she was thirty years ago",[4] a former Weismann girl, is the first guest to arrive, and her ghostly youthful counterpart moves towards her.

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